Translating Sultan through the medium and philosophy

Dinar Sultana Putul. Photo: Courtesy

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Dinar Sultana Putul. Photo: Courtesy

Dinar Sultana Putul is a contemporary artist based in Bangladesh whose artistic practices focus on quasi-scientific research and documentation of organic mediums and materials that explore various themes surrounding nature.

In the current exhibition “Imaginary of the Common: 50 years of Sultan’s Work” in Bengal Shipalay, Dinar exhibits an installation project, which provides a unique tool to delve into the psyche of revered artist, SM Sultan. His project, “Madhyom O Darshon” (Medium and Philosophy) consists of a repertoire of organic elements extracted from nature, notably clay, jute and charcoal, which HM Sultan has widely used for his art.

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“Not much has been told about the specific materials and mediums Sultan used for his paintings in the films or interviews available. With this in mind, I have tried to provide a visual representation of these to help. viewers understand the depths of his color-making process, ”says Dinar.“ His unique philosophy of opting for elements available in nature to overcome the barrier of media and material limitations is evident in the color palette earthy which is central to most of these works. Her use of flower and jute extracts defines her simplistic approach to life as well as her relationship with ordinary Bengal people. “

In “Imaginary of the Common: 50 years of Sultan’s Work” in Bengal Shipalay, Dinar exhibits an installation project, which provides a unique tool to delve into the psyche of revered artist, SM Sultan. Photo: Monon Muntaka

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In “Imaginary of the Common: 50 years of Sultan’s Work” in Bengal Shipalay, Dinar exhibits an installation project, which provides a unique tool to delve into the psyche of revered artist, SM Sultan. Photo: Monon Muntaka

The installation provides an essence of the process and philosophy of Sultan’s greatest works of art, making his paintings come alive while stretching the parameters of the imagination of his viewers.

“Through this project, my goal was not to provide my own interpretation of Sultan’s work; I see myself more as a translator of its practice, its philosophy and its beliefs to viewers, ”adds Dinar.

Due to her earlier influence on my work, she began revisiting Sultan upon his return to Bangladesh, browsing through his paintings and interviews as his philosophy resonated with hers.

“I noticed that the inherent value of art did not force me to seek out external subjects. Rather, it was present in nature itself. Believing in philosophy that nature cannot be tamed by humans and that nature has power over us, I began to translate the materiality of nature into my work by exploring the richness of my own history and culture, ”she explains.

After completing her bachelor’s degree in painting at Visva Bharati University in Santiniketon and her graduate degree at Maharja Sayajirao University in Gujrat, she researched and experimented with the preparation of organic colors extracted from nature, including seeds, bark, roots and flowers. Using the same organic techniques, she learned how to make paper from different natural filters from pulp made from flowers, agricultural crops, paper pulp, earth colors and parts lost after color extraction. .

Additionally, using the patterns of Kantha and Terracotta, she developed a process of researching the different hues, textures, surfaces that are found in nature, documenting everything in her work.

“During my years at Santiniketon, the co-relationship I formed with nature automatically generated ideas in my mind that influenced the subjects of my painting. My gradual pursuit of preparing organic art materials developed into an artistic movement that opposed the use of medium that went against nature. ”

Dinar has exhibited his work at the Korean Youth Festival, the Asian Art Biennial, the National Art Exhibition at the Shilpakala Academy, the Kochi Art Biennial, the Pune and many other events. Along with this, she participated in the Sonalika residency program in Delhi, the Kalakriti art program in Hyderabad and the international environmental art camp in Rajasthan. She also received the Lalit Kala Gujarat State Art Award in 2016.

The author is a political science student and a freelance journalist. Email: [email protected]


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